hill of iamhill EXPRESSES HUMAN DESIRES ON NEW SINGLE I NEED TO CRY FROM FORTHCOMING ALBUM SELLOUT DUE JUNE 3 VIA TEXT ME RECORDS
hill adds: "Sometimes pharmaceuticals have the opposite effect of what’s desired. Sometimes being numb is not better. Written from the perspective of wanting to let love in."
The production on I Need To Cry is a strong example of how hill and producer Mike Schlosser worked on the project. Sonically, Sellout has a signature rawness, complimented by hill and Mike's alt approach to songwriting, never colouring within the lines when it comes to production; from the Wurlitzer used in the intro to I Need to Cry, to utilizing an Oberheim analog synthesizer, and creating their own samples (which can be found in their signature sample pack).
The video for I Need To Cry was created by Travis Nesbitt, song written and produced by hill of iamhill and Mike Schlosser, mixed by Brad Smith (Velveteen Music) and mastered by Reuben Ghose (Mojito Mastering).
The intro to I Need to Cry was a first for hill, recorded with a room mic and hill playing a wurli and making up a goofy song on the fly. "We kept it and formant-ed the audio to create a strange effect...Aside from that, I think the rawness of the album is different for me. I’m less poetic and more direct in the lyrical content."
Collaborating with an instinctual process, hill works on the lyric and melody writing, while Mike is the brains behind the music. Mike and hill created the album pre-pandemic in hill's downtown Los Angeles loft, where she was living at the time. Amidst endless noise, sirens, people moving and voices all around, the team tracked all of the vocals in the living space, with emphasis on ensuring they were real rather than pristine.
Previous singles include, KonMari, a tongue-and-cheek ode to the method of the same name, Fat Free, featuring Dallas, TX group, Cure For Paranoia, inspired by Munchausen syndrome by proxy, and Side D, a dark, energizing jam written about a woman’s right to explore her own sexual freedom and options.
Earlier this year, hill dropped an acoustic version of her previous single, Side D, in NFT format. This radically-different version was arranged by hill of iamhill and mixed by Mike Schlosser, and the artwork created by Caitlin Boyle. This is not the first NFT hill has worked on, but it is the first NFT of her own music, under her own name. While the technology that allows artists to “mint” (in other words, create a new block on the chain with your file’s information/data) their work is still emerging, hill has grown passionate about the NFT community and its intrinsic potential.
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. Upon releasing her debut album as ‘iamhill’ in 2018, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. hill released her 2019 EP, Gimme My Life Back, on Antifragile Records out of NYC. In 2021, she released an album that was deconstructed and distributed as a sound pack by Black Octopus Sounds, who launched their adjacent record label Black Octopus Music in order to release the source album, Nobody Wants to Be My Friend.
Sellout - Tracklist
3.I Need To Cry
5.Run featuring Zeale
6.It's A Privilege featuring Swim & John Orpheus
7.Look Like That
8.Fat Free featuring Cure For Paranoia
9.Brought 2 U By
DOWNLOAD - I Need To Cry Artwork
About hill of iamhill
hill of iamhill is a Canadian writer, producer, and multi-instrumentalist. She grew up in the Canadian North, where winter reigns for 8 months a year. Before cultivating her specific taste for alternative pop music, her urge to create alternate universes was already thriving. She was regularly scolded growing up for daydreaming incessantly, but may never have fully landed in “reality." Music was always her way of escaping into the current moment while simultaneously holding life at arm’s length. hill began playing piano by ear as a kid, and had picked up guitar and drums to accompany her obsession with singing by the time she was 14. Songwriting followed not long after, which began as an exercise in catharsis for hill and remains that way whenever she gets an opportunity to work on her passion project.
What appears to be the result of spending most of your life longing for a different one is the universe hill has been building since the genesis of iamhill in 2018. Upon releasing her debut album as ‘iamhill’, she was immediately climbing viral Spotify playlists (such as Young & Free and Canada Viral 50), reaching hundreds of thousands of streams and travelling around the globe to write songs with new producers and artists. During this time, she drew inspiration from artists like Frank Ocean, James Blake, Kanye West, and queen of sad-core Lana Del Rey. Informed directly by her eagerness to embrace darkness and her constant yearning for the future, the environment hill has developed over time is increasingly futuristic and industrial.
This seminal album, Give it a Rest, went on to be nominated for a Juno in 2019 (Electronic Album of the Year), while hill finally accomplished her lifelong dream of moving to California to live under the sun and find her full artistic expression among so many fellow creatives. That year, hill released her sophomore EP, Gimme My Life Back, on Antifragile Records out of NYC. The visuals that accompanied the EP were shot in Thailand, with the city filth of Bangkok front and centre.
Since the beginning of the pandemic, hill of iamhill has leaned into her fascination with technology. As the clubs she used to perform in closed their doors, she began diving into frontend web development and landed a job as a contracted engineer with a startup out of California called Pex. Pex is a digital rights technology company that enables fair and transparent use of copyrighted content at the scale and speed of the internet. Their mission is to empower creators, platforms, and rightsholders alike, which is perfectly aligned with hill’s vision for the future of the global creator’s landscape. Spending five years in a Publishing deal with Ultra Music, a Sony subsidiary, left hill with a new appreciation for creative autonomy and IP ownership. More to that end, in the fall of 2021, hill co-produced and co-released her first audio-visual NFT with a team of creatives out of Los Angeles and the Bay Area, and has already onboarded to platforms such as Catalog, which prioritize the minting of music NFTs.
Over the past year, hill also found the time to release an album she co-produced and wrote with her now-counterpart in the iamhill project, Mike Schlosser. What made this album unique is that it was also deconstructed and distributed as a sample pack by Black Octopus Sounds, who launched their adjacent record label, Black Octopus Music, in order to release the source album, Nobody Wants to Be My Friend.
hill is currently working with an independent label, Text Me Records, out of San Francisco to release her forthcoming album (also co-created by Mike Schlosser). The project will see iamhill diving deeper into how "our lives are increasingly non-human." Says hill: "We were not built - nor have we evolved - to manage this shift."