GRAMMY AND JUNO-WINNING SONGWRITER AND PRODUCER DANIEL LANOIS TO RELEASE TORN AGAIN FEATURING LEONARD COHEN TOMORROW
NEW ALBUM HEAVY SUN LONGLISTED FOR 2021 POLARIS MUSIC PRIZE
"Let's hope the pandemic lockdowns lift soon, because Lanois and his bandmates deserve to delight audiences with their crackling chemistry and old-school gospel songcraft,
all of which are vividly captured on Heavy Sun” – Exclaim!
“A bold work of divine and nourishing textures"
- Mojo Magazine (UK)
“An uncommonly beautiful album that promotes peace, unity,
and shared love for the power of music" - Pop Music
Pre-save Torn Again here ahead of its release tomorrow (Thursday, July 1).
Daniel says, “There are moments in this creative journey that stand out in a quiet profound permanence. This Leonard Cohen poem and reading from the man himself, always left me with that special feeling. The framing of Leonard’s reading started as a slide guitar performance with my good friend Rocco Deluca.”
“The spine of our steel guitars became the rock for the poem to stand on. Wayne Lorenz and I spent many hours in the studio rearranging and dubbing out the steel to enhance the lyrical journey with orchestral compliment. I’m very proud of this work, may it keep on reaching and speaking.”
Torn Again follows Daniel’s acclaimed, Polaris Music Prize-nominated new album Heavy Sun, released March 19 via eOne, the first release under his new Maker Series brand. Stream and download Heavy Sun here. On June 12, Daniel launched a special Record Store Day LP edition – purchase the vinyl edition here or through your local record store. The critically acclaimed record features the singles (Under The) Heavy Sun, Power, and Way Down.
Read on about Daniel Lanois and Heavy Sun below and stay tuned for more as the music plays on this year.
Listen to Heavy Sun: eone.ffm.to/heavysun
The members of the Heavy Sun Orchestra are:
About Daniel Lanois and Heavy Sun
Whether crafting ambient records with Brian Eno, making rock and roll history with U2 and Peter Gabriel, digging into American roots with Bob Dylan and Emmylou Harris, scoring Oscar-winning films and blockbuster video games, or composing his own solo music, 7-time Grammy and 8-time JUNO winner, Daniel Lanois, has always seemed to reinvent himself with a chameleon-like ease. While Lanois may be best known for his production work on era-defining albums like Joshua Tree, Wrecking Ball, and Time Out Of Mind, he actually grew up on organ records and gospel music, and he cut his teeth as a young man in the studio recording vocal quartets touring their way through Ontario. In the decades to come, Lanois would go on to become one of the most acclaimed studio gurus of the modern era (Rolling Stone declared that his “unmistakable fingerprints are all over an entire wing of the Rock and Roll Hall of Fame”), as well as a prolific solo artist (NPR hailed his “brilliant albums of heartfelt songs”), but his love of soul and roots music never left.
Recorded in Los Angeles and Toronto, Heavy Sun fuses classic gospel and modern electronics, mixing gritty, human textures with crisp, digital accents and lush, swirling atmospherics to create a sound that’s at once warmly familiar and boldly unexpected. The arrangements here are spacious and dreamy, anchored by rich, righteous organ topped with airy falsetto and mesmerizing four-part harmony, and the writing is buoyant and soulful to match, tapping into the shared uncertainty of the human condition to offer hope, comfort, and connection at a time when all three run in desperately short supply.
“We want to lift people’s spirits with this music,” says Lanois. “It’s so easy to feel isolated right now, but we want everyone to feel included in what we’re doing.”
That communal spirit is on full display here, with Lanois and his bandmates —guitarist/vocalist, Rocco DeLuca, organist/vocalist, Johnny Shepherd, and bassist/vocalist, Jim Wilson — showcasing an undeniable chemistry and boundless appetite for sonic discovery that far surpasses the influence of any individual member.
For Lanois, who sang and played guitar in addition to producing the album, that meant taking full advantage of modern recording techniques, slicing and dicing live, improvised performances into discrete songs that could be fleshed out with experimental effects and sci-fi flourishes. Some tracks began life with Shepherd alone on the organ, taking the rest of the group to church the way he did for years at Zion Baptist in Shreveport, LA; others began with a melody or a simple groove played on a vintage beatbox. While Lanois dug deep into the production work, carving up raw material and extracting samples he could weave back into the arrangements, DeLuca (a revered solo artist in his own right) was often in the rear of the studio with the rest of the band, crafting lyrics around inspiring messages of community and resilience.
“Our goal was to be a force for good with these songs,” explains Lanois. “We wanted to remind people not to let the world steal their joy, to remind them that even during a global pandemic, it’s our responsibility to protect our spirits and find ways to keep on dancing, keep on singing, keep on teaching, keep on loving."